Are you ready for post one of our Quilting Finishing Techniques for both the longarm and domestic machine finishing?
Our first post is about the size of backing fabric and wadding that is needed if you are getting your quilt finished on a longarm.
Over the years, I have always quilted my quilts either by machine or by hand (when I had the time, which is usually never).
I seriously dread the layering of the three fabrics to create the ‘quilt sandwich’. I have to admit that larger quilt tops could hibernate in the ‘to be quilted’ box for a number of months …. or years! Not sure why, but I think it is more the dreaded thought that I could end up being short of either the wadding or backing fabric. I can honestly say that I ‘always’ ensure that my wadding and backing fabric is roughly 2-3” larger than the quilt top, around ALL 4 sides. However, I have had, on at least one occasion where I have miscalculated and have run short of either the wadding or the backing fabric and had to re-do the layering process. Tough lesson to have when it is a huge quilt.
So, what if the quilt is being sent to be long armed quilted? Is the rule of 2-3” larger than the quilt top? I never thought it would be different and was surprised that it wasn’t the same. I am guessing that I wouldn’t be the only one who thought it would be the same principle if you were quilting it on your own machine. Reading that both the backing fabric and the wadding needed to be at least 8” larger than the quilt top (at least 4” larger on ALL four sides) really surprised me.
It got me doing some research to find out why. Strangely enough, I like to know the reasoning behind rules and techniques and why it is so. In finding the answers I thought it would be a great opportunity to explain the ‘why’ in a blog post so you can understand the reasoning why so much extra is needed on the long arm frame.
So, the 8” isn’t to allow for the longarm quilter to compensate for any layering errors she may have. The three layers are loaded onto the frame separately to ensure that each layer is wrinkle free and taut on the frame. The backing fabric and top have the centre top marked so that the centre point on both fabrics can be matched to the centre point on the take up rollers on the frame. This helps to ensure that the quilt top is placed centrally on the frame. The wadding is laid between the two with the wadding and backing fabric side edges matching. The quilt top lies on these two with 4-6” clearance all the way round.
So why is size important?
The quilt back is loaded onto the quilting frame and two rollers – one at the top and the other at the bottom. This gives a flat surface, free of wrinkles with a tension that enables you to quilt.
However, to be able to quilt well, you need good tension on both sides, not just at the top and bottom. The side tension is achieved with the side clamps that are attached to the frame. This now gives a 4-way tension on the quilt which prevents any puckers or tucks. This still doesn’t really explain why the extra fabric is needed on the backing fabric and wadding.
Well, if the quilt top was the same size as the wadding and backing fabric or if not much clearance has been allowed, then the clamp would be too close to the quilt top. This causes a big issue when the quilt is being quilted and the need to quilt (or baste) up to the side edges of the quilt top. The machine needs clearance to ensure the needle can go over the quilt edge. If the clamps are too close to the edge of the quilt top, the machine will bump against the clamp, causing the quilting stitches to be off.
If rulers are being used for quilting, then it really is essential to have clearance as the ruler base extends on each side of the machine. If that base hits the side clamps, then it could mess up the ruler work.
Another important reason for having that extra clearance is that the tension needs to be checked with each new quilt loaded to ensure that both the top and bobbin thread are stitching correctly. This also needs to be done after each bobbin change. The tension test needs to be done using the backing fabric and wadding with a small piece of extra fabric (usually the backing fabric) as this is what is being quilted so will give the actual quilt stitching. If there is no extra allowance, then there is no room to test the tension.
This would also apply if you were stitching free motion on your quilt with your domestic sewing machine.
So with explaining about the size of the backing fabric, it now leads into the question of – ‘what can I use for my backing fabric?’
Come back next week to find out about –
Backing fabric options – Extra wide fabric; Sheeting; Pieced backs
And the following posts –
“Squaring” off backing fabric and quilt tops
Binding – How much binding; How to prepare binding; Attaching binding to quilt front; Finishing the binding
Quilt Labels – Why quilt labels?; What to put on a label; How to create a label; How to attach a label
With introducing Longarm Quilting Services to Nifty Needles, I thought it was a great opportunity to write a blog post on what is involved in getting your quilt quilted on the longarm.
I am so excited to be finally offering this service. For many (many) years it has been my dream to own a longarm quilting machine. It was something I thought I could only dream about. However, thanks to COVID, I needed to rethink Nifty Needles and the longarm was one of the long term goals (wishes) I set down for Nifty Needles and I can now proudly announce that this goal has been achieved!
I am loving being able to get creative with the machine and testing my creative skills. I can truthfully say that it no longer scares me senseless as it did when it first arrived or even when I thought of getting one. I still have lots to experiment with as there are some features on the machine that I haven’t tried out yet.
I purchased the Moxie Handi Quilter which is able to stitch pantographs, groovy boards and ruler work in addition to the hand guided free motion quilting. The Moxi sits on a 10foot frame which means that it can quilt up to a width of 105” with ease and any length.
When the machine arrived on a pallet with so many different boxes, it was mind blowing. Realisation sunk in about WHAT I had actually purchased! The mere thought that it was now up to us (Latisha and myself) to actually unpack the boxes and build the frame up from the ground, so to speak, was so scary! I think at one stage; I was secretly panicking that it may not fit into the log cabin. We did actually build the frame, the wrong way round and only for the fact that the cabin had a 10ft pitched roof, were we able to turn it round by standing it on its end in the middle. It definitely was not able to turn round!! If it wasn’t for the high peak, the frame would have had to be taken apart …. I definitely did not want to even think about that option. With the help of some little helpers we got the Moxi set up.
After I got the machine set up, I needed to write down all the information and services for the website which was more involved than I thought possible. I sourced some excellent reference books on longarm quilting machines, spent some lengthy evenings doing some ‘bedtime’ reading just to get myself familiar with the longarm, designs and what it is actually capable of. Reading and researching is a great help when trying to get used to a new piece of machinery. But, honestly, nothing beats diving right in and doing the practical stuff.
With the research and reading I also found that there was so much more to the longarm. I also have to confess that I have never had a quilt finished on a longarm. The few I had seen that had been quilted on a longarm were so densely quilted that they were stiff. To me, a quilt should be cosy and soft, not stiff. Since getting the longarm I have discovered that quilts are quilted in the way you prefer – gently quilted to retain the cosiness with an all-over simple design or custom quilted for a more unique quilt.
I also found it was interesting to find out and understand what is exactly required when getting a quilt quilted on the longarm. When I am told that things need to be done a certain way, I like to understand why it is needed or done in that particular way. So with this in mind, it got me thinking that it would be a great opportunity to do a series of blog posts with supporting PDF tutorials to explain about preparing a quilt for a longarm or even when we are quilting and finishing it ourselves on our domestic machines at home.
So over the next month or so I will post supporting blog posts with the techniques and ‘whys’. The subjects will be as follows –
Binding – How much binding / How to prepare binding / Attaching binding to quilt front / Finishing the binding
Quilt Labels – Why quilt labels? / What to put on a label / How to create a label / How to attach a label
To support the blogs, I will create a PDF of the technique so you can download the information for your own reference.
I know that when I was at the start of my quilting journey I truly wish I had such information to help me progress. My journey was marked with trial and error. But I have learnt by my mistakes. In fact, we all need to make mistakes. It is how we learn and develop our skills. But there are times when you wish that you had that extra bit of advice so you don’t feel as though you are foundering around.
I hope you will find the blog posts and PDF tutorials of some interest and support on your quilting journey. If there are any other techniques relating to quilting, let me know and I can look at doing up more tutorials relating to the technique.
But, tutorials aside, this blog started with the long arm and what role it will be doing within Nifty Needles. Have a read of the website pages on our longarm services. But more importantly, click on our Introductory offer voucher to download your voucher which will give you a discounted offer on our edge to edge quilting service for your first two quilts. You could save up from £30 to £70 depending on the size of your quilt. To prevail of the discount, you DO need to bring in the voucher, so click on the link to download and print off your voucher. We will also be permanently offering a customer loyalty scheme where you can get 15% discount on every 5th quilt you bring to be quilted. Your first two discounted quilts go towards the loyalty scheme as well.
If you would like more information or to book an initial consultation appointment for one of our longarm services, please contact us either by phone (078 6018 6261) or email ([email protected]). Nifty Needles is NOT a shop and is open ONLY by appointment, so please do not just arrive on the off chance.
When you come for your pre-booked initial consultation, please bring your quilt top with you and we can have a cuppa while we discuss your requirements such as wadding, backing, quilting services, design options and thread colour choice. These will all be written down in detail on your order form.
We look forward to working with you in quilting or finishing your treasured quilts.
Don’t forget to come back next week when we start our series of Quilting Techniques. The first one being, all about the size of backing fabrics and waddings.
I have spent a few days working on a beginners’ quilt pattern. This pattern is a quilting beginner’s workshop in a written pattern. Creating this has taken me quite a few days as I had to rewrite the pattern I used in the Introduction to Quilts Workshop. This is a workshop I have held in recent years.
With this pattern I wanted to include all the tips and techniques I would teach and show in a workshop. It proved to take far longer than I thought! Basically, what should have been a simple and straightforward task turned into a mammoth piece of work taking about three days.
While writing out the hints and techniques to help you create your first quilt, I thought back to when I created my first quilt, over 25 years ago! Well, actually, I probably started my first quilt long before that (I am showing my age now).
When I left school at 16 years, I went to work for a Fabric shop in New Zealand. It was a terrible place to work, the owner was awful, working conditions were just as bad and the pay even worse However, due to my sewing experience in dress making, it was a dream job. I was surrounded by all of this fabric. One of our jobs was to cut off the label printed on the fabric, at the start of the role. It was about a ten-inch strip across the width of the fabric and this rejected fabric was placed under the counter. The fabric was all cotton; There was no such thing as quilting fabric or Quilting Shops back then. Those cut off strips piled up, and one of the perks was that we could take them home. I think the owner let us do it as he thought the ink would not come off. But I soon found out that the ink disappeared once it had been through a wash in the machine. So, why am I telling this story? Well, these piles of fabric started my adventure into quilting.
I had an old American quilting magazine at home and I admired all the handmade quilts in it. So being creative and young I decided that it would be a really good idea to create a handmade quilt for my Glory Box (or Bottom drawer) so I would have something for my marriage bed. Let me assure you, I had no plans for getting married nor anyone in mind, but I guess a young girl always had her dreams.
So at the tender age of 16 years, I decided to hand sew the quilt made from hexagons. I had to prepare and cut out the paper hexagons, cut out the fabric hexagons, tack the fabric to the paper hexagons and then hand sew them all together. I had plans for a double bed quilt, where it would hang down to the floor. I had never quilted before, knew nothing about how to go about it and there was no such things as quilting classes or shops but, I had the desire to make a quilt, something that would be treasured.
Well, I can assure you, it never graced a double bed. In fact, it lay half completed in a box for many, many years. That box of tacked hexagons, half completed quilt top accompanied me for many, many years, through various house moves. Even, after I got married, the quilt was still unfinished.
Fast forward about twelve to fifteen years or so and I discovered my boxed-up hexagon quilt still unfinished in a box. I decided that it was well past time for the quilt to be finished instead of lying in a box for another twelve years. It didn’t become a double bed size quilt, more like a lap size. But it was finished. I think back now with sorrow, thinking I no longer have that quilt, it was tattered and never made it with me on my journey here to Northern Ireland. I wish I had treasured it more. But I still carry those memories with me.
It did inspire me to sew more quilts, but on the machine, not by hand sewing! I was into cross stitching and I had this book of mouse designs that I was wanting to stitch for Latisha. This was when she was a toddler, but I didn’t want to frame them. That began my first venture into quilts. I made simple blocks, then pieced them together and made it into a quilt. I was self-taught and quilt making was totally new for me. I didn’t have the tools needed, or the techniques and I didn’t even know what tools I needed. I began my quilting journey on my own, learning, using books borrowed from the library. There was no internet, google or YouTube back then. It was still the Dark ages.
I learnt by my mistakes and went by my gut feeling. Latisha still has that quilt after 15+ years. It is a bit faded and worn but still very much a treasured item. It now graces the wall of Lucas’s bedroom.
From that very first quilt, I wanted to make more. There was still no quilt classes or quilting fabric shops. I think the nearest one to me was a seven-hour drive away. There was no online shopping either. So, all I had was the one fabric shop, you know the one that I worked in after I left school, and their selection was more for dressmaking rather than quilting fabric. So my only option was searching local Charity Shops and finding clothes that had very little seams and was 100% cotton. It is amazing what treasures you can find in those Charity Shops. These were also the places that I found old wool blankets (the type that we used to have on our beds, before duvets). They were usually cream and 100% wool. They made a brilliant option for the wadding, as there was nowhere to buy wadding. The upside was that the woollen blankets made the quilts warm in the winter (there was no such thing as central heating, I am really showing my age now).
I remember finding a stash of lovely Japanese patterned cotton fabric in a charity shop. From this stash I made a large double bed size quilt for Latisha to take to university. It had a large woollen blanket for the wadding and kept her warm for many years at her various accommodations. She even brought the quilt over here when she moved over from New Zealand. That quilt bears many battle scars, but it is still doing its job.
While looking into quilting and the history of it, I found that during the pioneer days, quilts were made from old clothes and old blankets. I was just reliving those traditions without knowing it, making quilts from old clothes and blankets to give them new life. I have made quilts from curtain fabric, chintz and whatever I could find. I was self-taught and created quilts with what I had on hand. My skills would not have been the best and I made many mistakes. I read book after book to improve my skills. I didn’t know about ¼” foot, applique, machine piecing and other tips to improve my quilt making.
Going forward a few years and I am now in my mid to late thirty’s and I discovered that there was a quilting guild in the area. It was in a historic House and gardens in the village I grew up in and I had spent many years exploring the grounds. At one time I even joined their painting group when I was a teenager. Wanting to learn more about quilting, I nervously went to one of their meetings, eager to learn new skills from them. It would be easy, after all quilters and crafters are all friendly helpful people that would welcome me gladly. I still remember, very vividly, stepping into that room of strangers Twenty years ago. I very nervously asked if it was possible to join as I was interested in quilt making. I was confronted with questions. What is your experience? Have you done quilting before? I answered that I had been sewing since I was 9 years old, did dress making and recently started to make a few quilts.
“Oh, what do you use to make your quilts?” I told them about my finds at Charity shops and how I made my quilts.
“Heavens!! That is not quilting! Quilts are only made with the proper Quilting materials!”
There was no warm welcome, no instant friendships. Basically, I had broken all of the Quilt Police Rules! I left and vowed never to put myself in that position again, deflated because I chose to do quilting my own way. It was the start of the journey into learning how to do quilts MY way, teach myself and reach my goal of showing others how to sew and quilt.
I have learnt so much along the way of my journey and I can honestly say I am still learning. Quilting techniques and tools are constantly improving and I have found, that what I knew and did ten to twenty years ago is NOT what I do now. I look back at my first quilts, I have a slight shudder to myself when I look at my mistakes and lack of techniques. But this is all part of the process and I am proud of what I have achieved and how far I have come. I have learnt the tricks and techniques, but I will never say that I need to stop learning. Learning is always an ongoing process. I will always treasure those first quilts, the ones where I didn’t use a rotary cutter, mat and ruler – they just weren’t round back then, but I would never think of NOT using them now. Why go backwards in the journey of making quilts? They make it easier to get accurate cutting, so anything that makes it easier is the best.
So, after that journey back in time, I now come to the purpose of what I started in the beginning of this post. The rewriting of a pattern for your very first quilt creation, to begin your journey in quilt creating.
When I teach workshops, I like to share the tips and cheats that I have learnt to creating a quilt easier. The tips on how to correctly press your seams and why, how to pin and the importance of pinning so that you can ensure all seams and points meet up as they are meant to.
I learn things from experience, for instance, my first experiences in layering quilts and having disasters due to the three layers not working together, ending up with huge wrinkles when I do the quilting to hold the layers together. Not using the right tools or materials did not help either, so I have shared how I have overcome the issues, so you can enjoy the process of layering and quilting.
Basically, this tutorial pattern is like having me looking over your shoulder guiding you through making your first quilt. I usually get that from my students “I wish I could have you at home looking over my shoulder, telling me what to do.” So, if you have always wanted to make a quilt but have been putting it off due to not knowing how to go about it, having no classes to attend and just need the hints and tips to improve your quilting experience, then this tutorial pattern is a great place to start.